All Work

Giving a great artist her due.

The 2022 exhibition “Finding a Way”

‘What is/was Post-Modern?’

Olga de Amaral and the “incredible technology” of the knot.

For twenty years, the free-form collective has brought color, movement, and joy to social practice

Profile of fiber artist Marie Watt in advance of her solo show “Companion Species (At What Cost)”, 2021-22.

The monumental forms of a quiet but powerful ceramic sculptor.

Review of the 2019 reopening of the MoMA as published in Disegno, Issue #25, Winter 2019/20.

Profile of sculptor Woody De Othello adjacent to two exhibitions in the fall of 2021.

Sure, tidying up is a start. But it won’t get you to the kind of lived-in, personalised space that defines an ideal of home.

This program is part of Smithsonian American Art Museum’s ongoing series New Writings in American Art, highlighting new scholarship and publications in the field of American art.

Curated for the Fuller Craft Museum July 3, 2021 - October 10, 2021

Isamu Noguchi at the 1986 Venice Biennale.

A tale of two bookcases.

A Landmark Exhibition Reframing the History, Present, and Future of Handmade American Arts

Curated for Crystal Bridges Museum of American Art, February 6 – May 31, 2021

Glenn Adamson interviewed by Norman Teague, founder of Chicago-based Norman Teague Design Studio about his 2021 publication, Craft: An American History.

Interview with Liz Covart for Ben Franklin’s World podcast

Review of Hugh Hayden’s exhibition “American Food,” on view at Lisson Gallery in London.

A profile of the Canadian artist, whose works explore the relationship between technology and racial oppression.

Revisiting the 1969 MoMA exhibition Wall Hangings.

Myths of Japanese minimialism.

A profile on the occasion of Brackens’ disrupted exhibition blessed are the mosquitos.

At long last.

Curated for The Aldrich Contemporary Museum, November 24, 2019 to October 4, 2020

Going deep with the work of a great Italian avant gardiste.

Revisiting the Pattern and Decoration Movement, the twentieth century’s last avant garde.

An experiment in making, curated for the Crafts Study Centre in Farnham and the Museum of English Rural Life in Reading.

A new generation of design critics is talking. Are you listening?