https://www.glennadamson.com/work daily 0.75 2022-01-27 https://www.glennadamson.com/work/2022/1/26/simone-fattals-timeless-journeys-sswz3 monthly 0.5 2023-01-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/fc02c97e-b2a2-41a1-aaaa-c35f7c26ec7d/NY10.jpeg Work - Woman Up: Nina Yankowitz Defies the Patriarchy - Make it stand out View of Tunnel Vision, 1989, tile wall installation at the the Lexington Avenue and 51st Street subway station, New York.COURTESY THE ARTIST AND COMPANY AGENDA https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/d8b7a686-a9a9-415c-b2bd-f90cd76c3bd6/NY4.jpeg Work - Woman Up: Nina Yankowitz Defies the Patriarchy - Make it stand out Dilated Grain Reading: Scanning Reds and Blues, 1973, extruded acrylic and flash paint on linen, 50 by 109 inches. PHOTO JENNY GORMAN/COURTESY ERIC FIRESTONE GALLERY https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/2f692ba6-5acb-4d7d-9a40-d494d06f1fa2/NY1.jpeg Work - Woman Up: Nina Yankowitz Defies the Patriarchy - Make it stand out View of Nina Yankowitz's exhibition "Can Women Have One-Man Shows?," at Eric Firestone Gallery,New York, 2022. PHOTO JENNY GORMAN/COURTESY ERIC FIRESTONE GALLERY, NEW YORK https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/740ce85d-73d2-4086-82c8-af2e7b224f36/NY2.jpeg Work - Woman Up: Nina Yankowitz Defies the Patriarchy - Make it stand out Nina Yankowitz, Draped Drips, 1970. acrylic spray with compressor on canvas https://www.glennadamson.com/work/2022/1/26/simone-fattals-timeless-journeys monthly 0.5 2023-01-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/af9f9671-af9e-4126-8d58-435827868024/Fattal_3.jpeg Work - Simone Fattal's Timeless Journeys - Make it stand out Exhibition view of “Finding a Way,” showing Fattal’s cloud and ziggurat sculptures with five etchings on the rear wall. PHOTO JACK HEMS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e9bf06f6-9944-4626-a843-9ba812fa05bb/Fattal_5.jpeg Work - Simone Fattal's Timeless Journeys - Make it stand out Simone Fattal, 2021.PHOTO EUROPIUM (JULIA ANDRÉONE AND GHAZAAL VOJDANI) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/04124e9f-73b2-44f5-9636-541c85d4b86e/Fattal_2.jpeg Work - Simone Fattal's Timeless Journeys - Make it stand out Au bord du Barada I (Along the Barada I), 2020, etching, approx. 15 by 44 inches.PHOTO FABRICE GIBERT, © GALERIE LELONG & CO., COURTESY SIMONE FATTAL https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/7748adca-510e-4b33-a9e0-867fd417fa3f/Fattal_4.jpeg Work - Simone Fattal's Timeless Journeys - Make it stand out Installation view of The Master, 1998, bronze, approx. 40 inches tall. JACK HEMS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/61725ad3-e625-48e4-b920-d8b452c6a6ee/Fattal_1.jpeg Work - Simone Fattal's Timeless Journeys - Make it stand out View of Simone Fattal's exhibition "Finding a Way," at Whitechapel Gallery, London, through May 15. PHOTO JACK HEMS https://www.glennadamson.com/work/2022/1/26/the-presentness-of-the-past monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e7a8e750-8ee8-4926-91a7-411ab996add1/PresentPast_1.jpeg Work - The Presentness of the Past - Make it stand out The Cosmic House, London. ©Sue Barr https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/ef6fbb85-693d-40b5-90cd-004c862d08e0/PresentPast_2.jpeg Work - The Presentness of the Past - Make it stand out Charles Jencks, Garagia Rotunda, 1975. Cape Cod. ©Jencks Foundation. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/85c932e0-bf66-414c-b64e-8e24ccea5878/PresentPast_4.jpeg Work - The Presentness of the Past - Make it stand out Michael Graves, Portland Building, 1982. Portland, USA. Image: Courtesy Michael Graves. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/9a062fde-4b58-426b-9acc-68f094d29942/PresentPast_6.jpeg Work - The Presentness of the Past - Make it stand out Hans Hollein’s contribution to the Strada Novissima at the First Architectural Biennale in Venice, 1980. Slide from the Jencks Archive. ©Jencks Foundation. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/b081b503-bdf5-49d7-99f8-3da1d5ae6e6e/PresentPast_5.jpeg Work - The Presentness of the Past - Make it stand out Charles Moore, Piazze d'Italia, 1978. New Orleans. ©Jencks Foundation. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/3162ee06-7298-447e-b0a5-89f3e566c12c/PresentPast_7.jpeg Work - The Presentness of the Past - Make it stand out Jencks Pencil / Critics Corner at the First Architectural Biennale in Venice, 1980. Slide from the Jencks Archive. ©Jencks Foundation. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/5efbdaa0-9b5c-4c06-a81e-7162c596ed73/PresentPast_3.jpeg Work - The Presentness of the Past - Make it stand out Charles Jencks, Interior of Garagia Rotunda, 1975. Cape Cod. ©Jencks Foundation. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/8a3ec6a7-fd6e-4722-8eba-1fc058ae5de2/PresentPast_8.jpeg Work - The Presentness of the Past - Make it stand out Installation view of With Pleasure: Pattern and Decoration in American Art 1972–1985, October 27, 2019–May 18, 2020 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art. Photo by Jeff Mclane. https://www.glennadamson.com/work/2022/1/26/fabric-of-impulse-fiber-artist-olga-de-amaral-melds-artistic-spontaneity-with-slow-craft monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1783a328-69c2-4a38-b033-119130b444f9/Olga-de-Amaral_2.jpeg Work - Fabric of Impulse: Fiber Artist Olga de Amaral Melds Artistic Spontaneity with Slow Craft - Make it stand out Alquimia 42B, 1986, linen, gesso, and gold leaf, 64 7/8 by 27 1/2 in.©️ OLGA DE AMARAL; COURTESY LISSON GALLERY https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/0eef7476-d93e-4b77-a013-aa2559419cb3/Olga-de-Amaral_3.jpeg Work - Fabric of Impulse: Fiber Artist Olga de Amaral Melds Artistic Spontaneity with Slow Craft - Make it stand out Olga de Amaral, 1968, in an exhibition of her work at the Museo de Arte Moderno, Planetario Distrital de Bogotá.PHOTO DIANA WITLIN https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/dcb7ecb8-2d59-4371-bb98-2ee597ccf9c9/Olga-de-Amaral_1.jpeg Work - Fabric of Impulse: Fiber Artist Olga de Amaral Melds Artistic Spontaneity with Slow Craft - Make it stand out Olga de Amaral, 2015.PHOTO DIEGO AMARAL CEBALLOS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/3abdd8c0-6941-45a4-83a8-5bfaf5ef83c4/Olga-de-Amaral_4.jpeg Work - Fabric of Impulse: Fiber Artist Olga de Amaral Melds Artistic Spontaneity with Slow Craft - Make it stand out “Estela” (Wake) grouping, 2018, linen, gesso, acrylic, and gold leaf; each element 61-76 inches high.©️ OLGA DE AMARAL, COURTESY LISSON GALLERY https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/55ab784c-982e-41fd-ac8e-4ac43db814e0/Olga-de-Amaral_5.jpeg Work - Fabric of Impulse: Fiber Artist Olga de Amaral Melds Artistic Spontaneity with Slow Craft - Make it stand out Knot 28, 2016, linen, gesso and acrylic, 118 by 11 3/4 inches.©️ OLGA DE AMARAL, COURTESY LISSON GALLERY https://www.glennadamson.com/work/2022/1/26/assume-vivid-astro-focus-rocks-on monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/d8b017fb-0ee2-41ed-b6e0-dbae8c4a26be/Astro_4.jpeg Work - Assume Vivid Astro Focus Rocks On - Make it stand out View of the exhibition “Hairy What? Hairy How?,” 2021, at Tibor de Nagy, New York. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/f5e45cfd-4871-4754-9ac6-550f7f2d834d/Astro_1.jpeg Work - Assume Vivid Astro Focus Rocks On - Make it stand out Assume vivid astro focus installation, Sao Paulo Bienal, 2008. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/604d5f76-748c-4de3-8cc3-ed75b4ce9523/Astro_2.jpeg Work - Assume Vivid Astro Focus Rocks On - Make it stand out View of the exhibition “aqui volvemos adornos frivolos,” 2008, at Peres Projects, Berlin. PHOTO HANS-GEORG GAUL/COURTESY PERES PROJECTS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/559713c1-c1a8-4217-8955-57d423b0e3af/Astro_5.jpeg Work - Assume Vivid Astro Focus Rocks On - Make it stand out Exhibition view, Peres Projects, Berlin, 2008. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/b22ac144-5e6a-4947-aa4c-cc9f8a07fefd/Astro_3.jpeg Work - Assume Vivid Astro Focus Rocks On - Make it stand out Deep Sea Visitor with a Purse Overlooking Green Corals and Bromelia, Flying Fish and Centipede (Snake Lipstick), 2021, acrylic and oil on corrugated duplex cardboard, 15 3/4 by 9 1/2 inches.PHOTO ALAN WEINER/COURTESY TIBOR DE NAGY, NEW YORK https://www.glennadamson.com/work/2022/1/26/natvie-song-marie-watts-communal-incantations-in-fabric monthly 0.5 2023-05-07 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/0853f0b7-3e1c-464e-a769-1ed6fedf1561/Watt-3.jpeg Work - Native Song: Marie Watt's Communal Incantations in Fabric - Make it stand out Companion Species (A Distant Song), 2021, reclaimed satin bindings, industrial felt, thread, 32 1/2 by 168 inches. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/c7e05c29-178a-48c0-92a4-9f2dbe68a0a9/Watt-5.jpeg Work - Native Song: Marie Watt's Communal Incantations in Fabric - Make it stand out Forerunner, 2020, vintage Italian glass beads, industrial felt, thread, 39 by 102 inches. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e46ed3c4-5e26-4274-8988-4a3adf9da1db/Watt_1.jpeg Work - Native Song: Marie Watt's Communal Incantations in Fabric - Make it stand out Marie Watt: Companion Species: Cosmos, Sunrise, Flint, 2021, reclaimed wool blankets, embroidery floss, thread, 115 by 220 inches. ALL PHOTOS KEVIN MCCONNELL https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e59cfcca-7a7c-4239-84ca-2df4727cb2b2/Watt-4.jpeg Work - Native Song: Marie Watt's Communal Incantations in Fabric - Make it stand out Skywalker/Skyscraper (Sunrise), 2021, reclaimed blankets, steel I-beam, cedar blocks, 88 by 30 by 30 inches. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/5b3e0eb4-f181-4572-b4ba-6bb7099d53e9/Watt-2.jpeg Work - Native Song: Marie Watt's Communal Incantations in Fabric - Make it stand out Blanket Stories: Great Grandmother, Pandemic, Daybreak (detail), 2021, reclaimed blankets, cedar base, 108 by 38 1/4 by 40 inches. https://www.glennadamson.com/work/2022/1/25/shaping-stoneware-the-ceramic-forms-of-claude-conover monthly 0.5 2023-01-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/3ceedd85-1fa8-4a3a-884c-e4783fa38f9c/ClaudeConover_4.jpeg Work - Shaping Stoneware: The Ceramic Forms of Claude Conover - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1198602a-8814-41ec-975f-1a87d25710a8/ClaudeConover_3.jpeg Work - Shaping Stoneware: The Ceramic Forms of Claude Conover - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e206d8a5-6637-4a3f-bff8-141aefc8e74a/ClaudeConover_5.jpeg Work - Shaping Stoneware: The Ceramic Forms of Claude Conover - Make it stand out A Claude Conover vessel at the inaugural Objects: USA exhibition in 1969.. Lee Nordness business record and papers, circa 1931-1992. Archives of American Art, Smithsonian Institution https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/3b4d3e80-7e2e-448f-b69b-1d2cc753d12a/ClaudeConover_1.jpeg Work - Shaping Stoneware: The Ceramic Forms of Claude Conover - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/58576182-5c05-4358-9f06-f10c8bb47ce5/ClaudeConover_6.jpeg Work - Shaping Stoneware: The Ceramic Forms of Claude Conover - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.glennadamson.com/work/2020/rigorous-self-referentiality monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/5131153b-a83c-4a21-a4c2-11b0dde02a86/Rigorous_Self_Referentiality_6.png Work - Rigorous Self-Referentiality - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/d267edee-668b-47c0-a6e6-2de38937f3a5/Rigorous_Self_Referentiality_3.png Work - Rigorous Self-Referentiality - Make it stand out American People Series #20: Die by Faith Ringgold is displayed next to the Picasso. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/940d5e79-4654-4d03-8eba-2596783feb66/Rigorous_Self_Referentiality_2.png Work - Rigorous Self-Referentiality - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/cd37f8d7-12a5-4e58-a02d-f0a3eb145b27/Rigorous_Self_Referentiality_4.png Work - Rigorous Self-Referentiality - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/02d5e006-a167-4326-b872-7f574bf42267/Rigorous_Self_Referentiality_5.png Work - Rigorous Self-Referentiality - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/c3ff58cf-ee41-4aec-a671-a46ddff29e0b/Rigorous_Self_Referentiality_7.png Work - Rigorous Self-Referentiality - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/5e79ed40-3d74-4acd-bd96-25a298f52e05/Rigorous_Self_Referentiality_1.png Work - Rigorous Self-Referentiality - Make it stand out Pablo Picasso’s Demoiselles d’Avignon (1907) comes under curatorial scrutiny in the new MoMA. https://www.glennadamson.com/work/2022/1/26/am-i-blue-woody-de-othellos-ceramic-sculptures-give-funk-art-a-musical-twist monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/caf05d10-032e-41ef-9dc5-8d74ce94480e/Othello_4.jpeg Work - Am I Blue?: Woody De Othello's Ceramic Sculptures Give Funk Art a Musical Twist - Make it stand out Cool Composition, 2019, on view at Jessica Silverman’s booth at Art Basel Miami Beach, 2019. COURTESY JESSICA SILVERMAN GALLERY, SAN FRANCISCO https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/93dcc58f-0cac-4b12-b1eb-84ee540d3431/Othello_2.jpeg Work - Am I Blue?: Woody De Othello's Ceramic Sculptures Give Funk Art a Musical Twist - Make it stand out Self Talk, 2020, ceramic and glaze, 45 by 15 1/2 by 18 inches. COURTESY JESSICA SILVERMAN GALLERY, SAN FRANCISCO https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/740a787d-2292-4d7b-941e-5948e59369ea/Othello_3.jpeg Work - Am I Blue?: Woody De Othello's Ceramic Sculptures Give Funk Art a Musical Twist - Make it stand out Works by Othello on view at Jessica Silverman’s booth at Art Basel Miami Beach, 2019. COURTESY JESSICA SILVERMAN GALLERY, SAN FRANCISCO https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/695321ce-99a8-4ffc-8365-3c67ff209a40/Othello_1.jpeg Work - Am I Blue?: Woody De Othello's Ceramic Sculptures Give Funk Art a Musical Twist - Make it stand out Self Talk, 2020, ceramic and glaze, 45 by 15 1/2 by 18 inches. COURTESY JESSICA SILVERMAN GALLERY, SAN FRANCISCO https://www.glennadamson.com/work/2022/1/26/how-to-curate-just-about-anything monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/084399a6-f9e6-420e-a221-d00746b5e0ab/Psyche_1.jpeg Work - How to curate (just about) anything - Make it stand out Photo by Harald A Ja/AKG https://www.glennadamson.com/work/2022/1/27/new-writings-in-american-art-virtual-conversation-with-glenn-adamson monthly 0.5 2022-01-27 https://www.glennadamson.com/work/2022/1/27/another-crossing-artists-revisit-the-mayflower-voyage monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/ed4bf6ce-60d5-45fe-8e72-04fa10aaba70/AnotherCrossing Work - Another Crossing: Artists Revisit the Mayflower Voyage - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.glennadamson.com/work/2022/1/19/representing-america-isamu-noguchi-at-the-1986-venice-biennale monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/fcad8247-e642-4332-bf9c-f811096ecb97/Noguchi_22.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Ends (1985) in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/541e21a1-360e-437e-8124-cb5cf53e33f7/Noguchi_2.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi pictured at Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. Photo: Shigeo Anzai. The Noguchi Museum Archives, 05854. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/67cba7a3-684b-49bf-b1a5-5aa296e51366/Noguchi_44.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi is awarded the 1986 Kyoto Prize in Arts and Philosophy, November 1986. Photo: Shigeo Anzai. The Noguchi Museum Archives, 06544. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/2e3831c4-f12b-44dc-90e9-ed644b1b02c5/Noguchi_18.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Tetrahelix (1986) in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 07224. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/077c48a2-12d0-4715-867b-dd0bfe6c59a3/Noguchi_31.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Akari display in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 03044. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/76651ac7-2c9f-47ec-bf95-e1bb46b071b9/Noguchi_3.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. Photo: Shigeo Anzai. The Noguchi Museum Archives, 05855. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/713b4649-c5f5-4aec-b9bc-c931993aa155/Noguchi_41.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Venice Biennale floor plan draft. The Noguchi Museum Archives, NFP_PRO_036_005. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/9caaec5f-3c6d-4e2a-a6a1-0a2061060b67/Noguchi_15.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) installation sketch for Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, NFP_PRO_034_016. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/fe115d15-41f3-404c-956d-08b842780df1/Noguchi_20.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Stone hunting in a quarry, Japan. The Noguchi Museum Archives, 07555. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/c329e62c-128a-483c-a295-d6decffef5f3/Noguchi_37.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Carsten Höller, The Florence Experiment Slides, 2018. Stainless steel tubular curved slide, polycarbonate cover, steel supports, and canvas mats for sliding. Photo ©Attilio Maranzano. Courtesy and © the artist https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/ec2d82b8-9992-4bb8-897e-b25ce535e981/Noguchi_30.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Akari 200D and BB3-37S in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 03044. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/93336037-ac11-4eab-b2e0-6df979f3dab1/Noguchi_33.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi with Henry Geldzahler at a press conference for the 1986 Venice Biennale at The Isamu Noguchi Foundation and Garden Museum, 1986. The Noguchi Museum Archives, 143745. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e5e035e7-e2e0-4ecf-8500-341bdafd090b/Noguchi_36.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out “U.S. art snubbed at Venice,” Washington Times, July 17, 1986, 1B, 3B. The Noguchi Museum Archives, B_CLI_2045_1986. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1b995756-86b8-4fc9-877e-f64628c83d2c/Noguchi_46.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Black Slide Mantra (c. 1988–89) in Sapporo, Japan. Photo: Michio Noguchi. The Noguchi Museum Archives, 00604. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/92344222-2e06-401b-977f-33b5e20f644b/Noguchi_4.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) in transit to the Venice Biennale, 1986. The Noguchi Museum Archives, 144428. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/b402ba95-953c-449e-ab5f-069006c54d5a/Noguchi_21.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Beginnings (1985) in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 02907. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/a187b216-c2b6-4be6-90bc-a7c6e9534b66/Noguchi_29.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out United Nations Playground (1952, cast 1963), Swimming Pool for Josef von Sternberg (1935, cast 1986), and Ends (1985) in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 02903. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/34d15f3e-5842-4d1e-afab-8121eedeb664/Noguchi_5.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) in transit to the Venice Biennale, 1986. Photo: Shigeo Anzai. The Noguchi Museum Archives, 05819. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642631961795-TFMP5OQ90Z0QNUS0B894/Noguchi_9.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642632182174-LIXG01UBFJOMN128LZEK/Noguchi_10.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642632090392-8I3ZNBTR2M1RASTVTAHO/Noguchi_11.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642634071794-6WGXX7X2WFQ1685XXIER/Noguchi_12.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642631996886-3IRH44BH5ULVC7FX7K97/Noguchi_13.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/cdcc24b9-8579-443b-b250-c1b6e6fa64e9/Noguchi_34.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Venice Biennale map. The Noguchi Museum Archives, NFP_PRO_034_005. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e055d442-fd4b-493e-a118-2a78689f68e6/Noguchi_8.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) at Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29, 1986–September 28, 1986. The Noguchi Museum Archives. ©INFGM / ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/94fa4f5f-beff-43ad-a9ff-518f9493674c/Noguchi_7.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) under construction at the Venice Biennale, 1986. The Noguchi Museum Archives, 07229. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/e2db2d56-a6c1-4cf1-8a4b-0c9210aad302/Noguchi_43.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi receives the National Medal of Arts from President Ronald Reagan, June 1987. The Noguchi Museum Archives, 06620. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/410faaa7-786d-4b69-a996-ae9119807ace/Noguchi_35.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Venice Biennale brochure, c. 1986. The Noguchi Museum Archives, MS_EXH_255_013. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/bdcc7d59-71e2-4736-8cea-705f7478269c/Noguchi_38.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Installation view, Jorge Pardo, Victoria Miro, 16 Wharf Road, London N1 7RW, February 2–March 24, 2018. ©Jorge Pardo. Courtesy the artist and Victoria Miro https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/f4e26a0b-2ac0-4225-b8b3-ea0eb1313746/Noguchi_47.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Akari: Sculpture by Other Means, The Isamu Noguchi Foundation and Garden Museum, Long Island CIty, New York, February 28, 2018–April 14, 2019. Photo: Nicholas Knight. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/b12efb19-1951-4087-9832-0201206e5a82/Noguchi_6.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) under construction at the Venice Biennale, 1986. Photo: Pieranna Caualchini. The Noguchi Museum Archives, 06518. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/7d23e3f5-c98f-4f50-9448-772bb3f84b4d/Noguchi_32.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Akari display in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 07223. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/0607c1ed-873c-4da8-a88d-5449823d8db6/Noguchi_39.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Red storeroom and Akari display with River Mouth (1984) in Space of Akari and Stone, Yurakucho Art Forum, Tokyo, February 9–February 20, 1985. The Noguchi Museum Archives, 144346. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/0aa7e670-ef3a-4f5c-a018-a7f8692a216e/Noguchi_16.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi overseeing the carving of Slide Mantra (1986), 1986. The Noguchi Museum Archives, 05841. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/3a7cc262-51da-44b7-8250-302927639e3b/Noguchi_28.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out This Tortured Earth (1942–43, cast 1977). Bronze. Photo: Kevin Noble. The Noguchi Museum Archives, 12728. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/21dc6efc-6e61-430d-a17d-4e8254031d94/Noguchi_40.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Grid netting environment with Akari YP1, Akari 25N, and Akari 45X in Space of Akari and Stone, Yurakucho Art Forum, Tokyo, February 9–February 20, 1985. The Noguchi Museum Archives, 02898. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642635740945-GI1W2KKALMVRX5M902NH/Noguchi_23.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642635878628-NHSI2TXPOL4F2PTPS9CK/Noguchi_24.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642635876803-KPMBTG0UZVFE4E97AMFK/Noguchi_25.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642635916253-T30MWXQVYFPUDMQPDKNL/Noguchi_26.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1642635984846-8WSZ9C4BMQ353FAE72R4/Noguchi_27.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1c4db97e-e925-439b-8655-f19a7d8f19d0/Noguchi_1.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/2a319ab6-48ae-4a98-927d-71adb40a3239/Noguchi_14.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Drawings for Noguchi’s play equipment, 1966–1976. The Noguchi Museum Archives, 02031. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/31736ec0-02d7-4bcc-ae78-3bad7d06528c/Noguchi_19.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Tetrahelix (1986; detail) and Akari in Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 02913. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/2cb38a3e-d826-477f-93fc-5d946f948b82/Noguchi_17.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Isamu Noguchi tests Slide Mantra (1986) for Isamu Noguchi: What is Sculpture?, Venice Biennale, June 29–September 28, 1986. The Noguchi Museum Archives, 144396. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/a3e4a651-ffa3-4ed4-b053-8aa827b8937f/Noguchi_42.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Typescript draft of “I Become a Nisei” (October 1942), Isamu Noguchi's unpublished essay for Reader's Digest on the incarceration of Japanese Americans during World War II. The Noguchi Museum Archives, MS_BIO_028_002. ©INFGM/ARS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/afb2257f-9edc-45f4-80ba-212ad5e81cf2/Noguchi_45.png Work - Representing America: Isamu Noguchi at the 1986 Venice Biennale - Make it stand out Slide Mantra (1986) in Bayfront Park, Miami, Florida. Photo: Jennifer Burlenski. The Noguchi Museum Archives, 10202. ©INFGM/ARS https://www.glennadamson.com/work/2022/1/27/a-new-realism monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304837244-YWO8LVAHO40KAX5LYZFO/ANewRealism_1.jpeg Work - A NEW REALISM https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304833591-QL3SW6UVOZRPT9VWJRY4/ANewRealism_2.jpeg Work - A NEW REALISM https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304832898-7KIT3GGMGZDZWEO1PP0X/ANewRealism_3.jpeg Work - A NEW REALISM https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304831703-7RX5RO45BDFGT42L2JC3/ANewRealism_6.jpeg Work - A NEW REALISM https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304831698-5E2BBI4VL39EX35HYQ37/ANewRealism_5.jpeg Work - A NEW REALISM https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643304832654-9D86CIQ8SD65H3TTHOXN/ANewRealism_4.jpeg Work - A NEW REALISM https://www.glennadamson.com/work/2022/1/26/the-communist-designer-the-fascist-furniture-dealer-and-the-politics-of-design monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1b6b744a-44d0-4bc1-9217-7068c7a1f6d6/Enzo_5.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out Do it yourself: The point of Mari’s Autoprogettazione, as seen in this simple chair, is that anyone could build them. (©Verena Bruening / CUCULA) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/6d256b9e-d8dc-453f-a72d-9d62ab054c2a/Enzo_3.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out (General Photographic Agency / Getty Images) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/f923a88e-80d3-42cd-b9cb-2b3e290a115a/Enzo_1.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out Enzo Mari (left) and Ingvar Kamprad. (Adriano Alecchi / Mondadori Portfolio by Getty Images) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/4f0f9c6d-48cb-40d2-a401-5106cdd88be8/Enzo_6.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out Means and ends: The twin coffins created for Enzo Mari and Lea Vergine by designer Martino Gamper. (Martino Gamper via Serpentine Galleries) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/895c7148-9755-44f4-ba7b-705d551360f9/Enzo_4.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out Product placement: One of the main backers of Memphis was Abet Laminati, the Italian equivalent of Formica, featured in this Carlton bookcase. (CC 4.0) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/cf40396d-f07e-482f-939f-7b799bbe0da4/Enzo_2.jpeg Work - The Communist Designer, the Fascist Furniture Dealer, and the Politics of Design - Make it stand out Less is more: Bauhaus founder Walter Gropius critiques a student’s design. (Jerry Cooke / Corbis via Getty Images) https://www.glennadamson.com/work/2022/1/27/objects-usa-2020 monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643305408606-WSMDBJGLR6FPFTOA6MB7/ObjectsUSA_1.jpeg Work - OBJECTS: USA 2020 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643305408067-Y3QFULPZLVOG85S73L6V/ObjectsUSA_2.jpeg Work - OBJECTS: USA 2020 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643305408166-4XNT3D16KFLIWDKJD7KS/ObjectsUSA_3.jpeg Work - OBJECTS: USA 2020 https://www.glennadamson.com/work/2022/1/27/crafting-america monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306599242-BEEIOUK1CDC9NJNHPU49/Crafting-America-Anne-Lemanski_1.jpeg Work - Crafting America https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306599242-MVBKVSTKUWX20BF2U0GB/Crafting-America-Consuelo-Jimenez-Underwood_2.jpeg Work - Crafting America https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306598204-EKFFY4J2T0QZW5SU4GOK/Crafting-America-Ben-Venom_6.jpeg Work - Crafting America https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306598135-N4AICUJWXBG9NVFXHOXN/Crafting-America-Linda-Lopez_5.jpeg Work - Crafting America https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306598542-O42XW2OPCU7R285IRV7R/Crafting-America-Roberto-Lugo_4.jpeg Work - Crafting America https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643306598704-YIN73J43U9PJ3WR6V22K/Crafting-America-Einar-and-Jamex-de-la-Torre-3.jpeg Work - Crafting America https://www.glennadamson.com/work/2022/1/27/glenn-adamson-craft-an-american-history monthly 0.5 2022-01-27 https://www.glennadamson.com/work/2022/1/27/craft-in-early-america monthly 0.5 2022-01-27 https://www.glennadamson.com/work/2022/1/19/hugh-hayden-crafts-the-legacy-of-the-african-diaspora monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/4b2e8912-b54a-4046-9c09-a42479ccd1cd/HUGH_HAYDEN_3.jpeg Work - Hugh Hayden Crafts the Legacy of the African Diaspora - Make it stand out Hugh Hayden: The Cosby’s, 2020, three cast iron skillets. COURTESY LISSON GALLERY https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/20f82089-42d7-46e1-bd2f-2f0ef9397609/HUGH_HAYDEN_5.jpeg Work - Hugh Hayden Crafts the Legacy of the African Diaspora - Make it stand out Hugh Hayden: Invisible Man, 2019, silver-plated wooden figure with Truvada and resin, crate, 65 by 33 by 28 inches. COURTESY CLEARING, BRUSSELS https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/f3b60333-cd65-463f-8450-09959000eddd/HUGH_HAYDEN_1.jpeg Work - Hugh Hayden Crafts the Legacy of the African Diaspora - Make it stand out Hugh Hayden: Communion, 2020, chestnut with steel hardware, 159 by 413 by 244 inches. COURTESY LISSON GALLERY https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/c4df76cf-3c33-424a-9609-303da8e730a5/HUGH_HAYDEN_4.jpeg Work - Hugh Hayden Crafts the Legacy of the African Diaspora - Make it stand out Hugh Hayden: The Temptation Inside and Torment of St. Anthony, 2019, flocking on sculpted wood, 65 by 18 by 55 inches. COURTESY CLEARING, BRUSSELS. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/212b461a-d70e-4765-8a4c-b8afa21aae76/HUGH_HAYDEN_2.jpeg Work - Hugh Hayden Crafts the Legacy of the African Diaspora - Make it stand out Hugh Hayden: America, 2018, sculpted mesquite (Prosopis glandulosa) on plywood, 42 by 81 by 81 inches. COURTESY LISSON GALLERY https://www.glennadamson.com/work/2020/kapwanikiwanga monthly 0.5 2022-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199903044-VWLNDY2QW1AOA6NZQP9O/web-Mark-Blower-180502-Frieze-NY-Wednesday-0062-edit-APFEL.jpg Work - Escape Velocity: Kapwani Kiwanga Shady, 2018, shade cloth, steel, wood, and paint; installed at Frieze New York, 2018. COURTESY GOODMAN GALLERY, CAPE TOWN AND JOHANNESBURG, AND LONDON. PHOTO MARK BLOWER. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199635520-CNC9OJFP6I6IGSPB71DF/web-KapwaniKiwangaShadeShiftblack-blue1-edit-APFEL.jpg Work - Escape Velocity: Kapwani Kiwanga Shade Shift (black/blue), 2019, shade cloth, steel, wood, and epoxy, 98 1/2 by 114 3/4 by 20 inches.COURTESY GOODMAN GALLERY, CAPE TOWN AND JOHANNESBURG, AND LONDON. PHOTO CARLOS MARZIA. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199787055-Z049MRLM4FBUOCOBEJ44/Kiwanga+Glow.jpg Work - Escape Velocity: Kapwani Kiwanga Glow, 2018, wood, stucco, acrylic, steel, and LEDs, 70 by 39 1/4 by 10 inches. COURTESY JÉRÔME POGGI, PARIS. PHOTO PETER HARRIS STUDIO. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199500749-108GBZ5A59B69KFJXBKO/frny18_d2_artistinterview01_kapwanikiwangaportrait.jpg Work - Escape Velocity: Kapwani Kiwanga https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199681111-V8GSTO44XELJ78DS9TTJ/web-KapwaniKiwangaBlackS-Twist-edit-APFEL.jpg Work - Escape Velocity: Kapwani Kiwanga Black S-Twist, 2018, shade cloth, wood, and fluorescent light, 46 1/2 by 54 3/4 by 8 1/4 inches.COURTESY GOODMAN GALLERY, CAPE TOWN, JOHANNESBURG, AND LONDON. PHOTO CHARLIE KITCHEN. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199859036-0H5PSKV0TK80REVJYYA7/maj_kiwanga-vue_expo-2018_photo_vfortin_dscf5314_1550x1000.jpg Work - Escape Velocity: Kapwani Kiwanga “Sunlight by Fireside” at the Musée d’Art de Joliette, 2018. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1596199810480-5QXPBHH3KWHPPP52MH2G/web-KapwaniKiwangaNations3-edit-APFEL.jpg Work - Escape Velocity: Kapwani Kiwanga Nations: Snake Gully, 1802, 2018, steel, fabric, embroidered fabric, sequins, beads, and fringe, 63 by 94 1/2 by 4 inches.PRIVATE COLLECTION. COURTESY GALERIE JÉRÔME POGGI, PARIS. https://www.glennadamson.com/work/2020/wallhangings monthly 0.5 2020-06-24 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1593001954313-BVNL4JMUPX8JSGTEUZCR/WH.jpeg Work - The Shock of the Old Installation view of Wall Hangings at MoMA, 1969. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1593002072630-1CPUODDQZG7F1DSQBRRH/TTW.jpg Work - The Shock of the Old installation view of Taking A Thread for a Walk, MoMA, 2019. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1593001780676-FCDB2V396QJDEE4MP7XT/OLA008_wall.jpg Work - The Shock of the Old Olga de Amaral: Cuatro paisajes (Modulo D) (Four landscapes (Module D)), 1976-77, wool and horsehair, 72 1/8 by 120 inches. COURTESY RICHARD SALTOUN GALLERY. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1593002007319-VLCD7D0K1HM41IOGLWLG/PC.jpg Work - The Shock of the Old Peter Collingwood: Untitled (Black Macrogauze), 1973, black linen and stainless steel, 68 by 25 inches. COURTESY RICHARD SALTOUN GALLERY. https://www.glennadamson.com/work/2020/gettingtonoh monthly 0.5 2020-06-09 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706486475-JSLYWEYFBY5HVAY5D3Z4/Nikko_Toshogu_Yomeimon_M3249-1080x723.jpeg Work - Getting to Noh Yōmeimon gate, Nikkō Tōshō-gū, Tochigi Prefecture, Japan. Wikimedia commons. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706743753-R2F9L8PNTA9EUVGITRNN/Tokyo_Japan-Tadao-Ando-Architecture-1080x721.jpeg Work - Getting to Noh Replica model of the Church of the Light, in the Tadao Ando Exhibition at National Art Center, Tokyo (image courtesy Alejandro from Mexico City, via Wikimedia Commons) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706639528-62MI5VTCO4W9QAX4MJCW/Black-Raku-Bowl-by-Chojiro--1080x810.jpeg Work - Getting to Noh Chōjiro, black raku tea bowl, early 17th century. Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706562489-FE3QKERGJIC4SDLCZ3LD/Calligraphy_Zen_Master_Staff_LACMA-1080x4560.jpeg Work - Getting to Noh Banjin Dōtan, Calligraphy (Zen Master’s Staff), mid-18th century. LACMA. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706780490-V0FQ9GF4IEJ8H6SPV79M/Marta-Base10-Kodama-9-1080x720.jpeg Work - Getting to Noh Lindsey Muscato and Joshua Friedman, “Kodama” series https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706949208-205F8MRU2XGTECC27SK2/Kodama+3.jpeg Work - Getting to Noh Lindsey Muscato and Joshua Friedman, “Kodama” series https://www.glennadamson.com/work/2020/diedrickbrackens monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706102049-0X8ECYWBZYWJKCLK44AP/DIB19.007-demigod-HR.jpg Work - On Diedrick Brackens demigod, 2019, woven cotton and acrylic yarn, 72 inches square. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591705921581-Q5Q5NZUDCDWQT4913NX6/brackens-slide-9G4L-videoSixteenByNineJumbo1600.jpg Work - On Diedrick Brackens https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591705969062-MDIPW2Y482W3USWO27DW/web-DIB20.002-shape-of-a-fever-believer-HR.jpg Work - On Diedrick Brackens shape of a fever believer, 2020, woven cotton and acrylic yarn, 84 by 82 inches. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591706040546-EQDMWOWUENVO1N45QO5B/web-DIB20.003-blessed-are-the-mosquitoes-HR.jpg Work - On Diedrick Brackens blessed are the mosquitos, 2020, woven cotton and acrylic yarn, 82 by 79 inches. https://www.glennadamson.com/work/2020/artworldembracingcraft monthly 0.5 2020-06-09 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1579113112243-2CZ3LL71WLITUZ056JDW/MoMA.jpeg Work - Why the Art World Is Embracing Craft Installation view of “Taking a Thread for a Walk”, at The Museum of Modern Art, New York. Photo by Denis Doorly. © 2019 The Museum of Modern Art. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1579113062781-87SELSN3DI8F26WZKYC4/Liza+Lou.jpeg Work - Why the Art World Is Embracing Craft Liza Lou , Kitchen, 1991–96. Photo by Tom Powel. © Liza Lou. Courtesy of the Whitney Museum of American Art. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1579113392776-HBZ9XRJQV4JSEUV0GHXL/Asawa.jpeg Work - Why the Art World Is Embracing Craft https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1579141128523-JZCLV3IY9PMAXEUVUK7W/Tomkins.jpeg Work - Why the Art World Is Embracing Craft Rosie Lee Tompkins, Three Sixes, 1986. © Estate of Rosie Lee Tompkins. Courtesy of the Whitney Museum of American Art. https://www.glennadamson.com/work/2022/1/27/zo-sheehan-saldaa-there-must-be-some-way-out-of-here monthly 0.5 2022-01-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303741541-JRR6O054428QAIU2ZK0W/Zoe%CC%88SheehanSaldan%CC%83a_2.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303741238-1CLQZMV2JGQHJ2MX1V59/Zoe%CC%88SheehanSaldan%CC%83a_3.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303740344-HJ1T0U4WZ713UO9X0053/Zoe%CC%88SheehanSaldan%CC%83a_5.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303740766-VKCMW4TAX8Y638N4IDBB/Zoe%CC%88SheehanSaldan%CC%83a_4.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303741750-S5IZ7DXQDDP1M7THSQ3A/Zoe%CC%88SheehanSaldan%CC%83a_1.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1643303740128-O7YY8E77C88MS7I6G0RI/Zoe%CC%88SheehanSaldan%CC%83a_6.jpeg Work - Zoë Sheehan Saldaña: There Must Be Some Way Out of Here https://www.glennadamson.com/work/2019/pesceagonyecstasy monthly 0.5 2019-10-27 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1572190814398-80ZOWIEWNQZCNZDCVG0X/Pesce_Moloch_Floor_Lamp0.jpg Work - Gaetano Pesce: The Agony and the Ecstasy Moloch floor lamp from Casa Carenza, Padua, 1971. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1572190783331-I2MP7IJLIZ6N42QFSK8Y/Arca-Tables-2-72-73.jpg Work - Gaetano Pesce: The Agony and the Ecstasy Arca tables, 1972. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1572190875588-134SO5I5Q3EBBKZISIWD/Pesce_Age_of_Contaminations_013.jpg Work - Gaetano Pesce: The Agony and the Ecstasy Gaetano Pesce: Age of Contaminations at Friedman Benda, 2019. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1572190755138-HUGMUU14KMURRH8Q68ZY/Gologotha-1972-73.jpg Work - Gaetano Pesce: The Agony and the Ecstasy Golgotha table and chairs, 1972. https://www.glennadamson.com/work/2018/patternrecognition monthly 0.5 2019-09-30 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1569865652890-6AQNVFRLQ9LD3TTZOMJN/Woodman.jpg Work - Pattern Recognition George Woodman: A Gentle Tesselation, 1970, oil on canvas, 48 inches square. Courtesy Charles Woodman. © Estate of George Woodman. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1569865827215-WDSZNKNX5ZT34NER3036/MacConnel.jpg Work - Pattern Recognition Kim MacConnel, Fishin, 1978. Acrylic on fabric, 89 x 104 inches. Salomon Contemporary. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1569865612828-ED5E2U6647I9X1NUUKI1/Jaudon-450x500.jpg Work - Pattern Recognition Valerie Jaudon: Mineral Wells, 1980, oil on canvas, 120 by 108 inches. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1569865519234-4AIHZHU5OK26IXSTVLZZ/Auther-Fig-5-Miriam-Schapiro-Again-Sixteen-Windows-1973_DH-356x500.jpg Work - Pattern Recognition Miriam Schapiro: Again Sixteen Windows, 1973, spray paint, watercolor, and fabric on paper, 30½ by 22½ inches. © Estate of Miriam Schapiro/Artists Rights Society (ARS), New York. Courtesy Eric Firestone Gallery. https://www.glennadamson.com/work/shouldertothewheel monthly 0.5 2019-09-17 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1568724801996-LNTZQNWZBH9JUTVYVDAB/IMGL2377.jpg Work - Shoulder to the Wheel The MERL wheel. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1568725277529-2ZKJL5SPGI671Z32566T/Zoe+Laughlin_UCA-018.jpg Work - Shoulder to the Wheel https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1568725254375-IKM6I4IEBJ1N22LP3C18/Gareth+Neal.jpeg Work - Shoulder to the Wheel https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1568725233345-D4KWW9I0W3PS1EN5CSRJ/Greg+Rowland_UCA-011.jpg Work - Shoulder to the Wheel https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1568725307009-IPPI8QPGLD8149QWE11E/Greg+Rowland_UCA-001.jpg Work - Shoulder to the Wheel https://www.glennadamson.com/work/2019/chatteringclass monthly 0.5 2020-06-09 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565797311870-BKM4MNW9QKHIHYW62E27/Gray+Mag+-+Design+Critisism+jpg+600.jpg Work - Chattering Class Illustration by Jesse Treece. https://www.glennadamson.com/work/2018/teargasbiennial-f5p9s monthly 0.5 2019-08-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1564767194893-NV8RNEJ2E04GT21UV0I7/Whitney+protest.jpg Work - Thoughts on the 'Tear Gas Biennial' https://www.glennadamson.com/work/2018/hyperpot monthly 0.5 2022-01-19 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272571460-IHY0VT00QTGT3PRI7G4D/IMG_6762.jpg Work - Rise of the Hyper Pot Detail of a work by Morten Løbner Espersen. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272746776-AS1SPTXR2FQNZFTXMWDR/IMG_6759.jpg Work - Rise of the Hyper Pot Detail of a work by Anton Alvarez. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272469329-C1VVD7UTYY2RGMXPOUVF/IMG_6757.jpg Work - Rise of the Hyper Pot Detail of a work by Matt Wedel. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565271751804-U85B36NUSUFREK0DDAGM/Kuwata.jpg Work - Rise of the Hyper Pot Takuro Kuwata, untitled, 2018. Porcelain, glaze, stone, pigment. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272494599-8GX6HCE15HSC4KC54LSG/IMG_6760.jpg Work - Rise of the Hyper Pot Detail of a work by Marit Tingleff. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272397362-KKP4N5WEBGOGI7UH0NBI/IMG_6755.jpg Work - Rise of the Hyper Pot Detail of a work by Linda Sormin. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272718606-1K6E8RNSM1DBUM0NBHU7/IMG_6761.jpg Work - Rise of the Hyper Pot Detail of a work by Steen Ipsen. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1565272430193-OWX5SKQW4HP63BMEFAFB/IMG_6756.jpg Work - Rise of the Hyper Pot Detail of a work by Bente Skøttgaard. https://www.glennadamson.com/work/2019/2/6/sameriver monthly 0.5 2019-07-30 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1564447268286-111Q6CGF7T1II9EPC4FY/Mantegna.jpg Work - The Same River, Twice Studio Drift. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1564447332431-HJ655WF8BXHCWUV5FO0B/Alboh.jpg Work - The Same River, Twice Virgil Abloh. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1564447241317-0WL3212E5ZCMHS7IIAS4/arches.jpg Work - The Same River, Twice Verhoeven Twins. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1564447160767-AOG3US0T9B8DFLA69FO2/Nacho.jpg Work - The Same River, Twice Nacho Carbonell. https://www.glennadamson.com/work/2019/2/6/branzi monthly 0.5 2019-07-30 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1561331582312-WBMLRGCWCM2EOZWQGET8/Branzi+Adalberto.jpg Work - Second Nature: The World of Andrea Branzi Adalberto Libera bookcase, 1979, for Studio Alchymia. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1561331423456-TFJGJCLLRG322810WNW8/Branzi+Portrait.jpeg Work - Second Nature: The World of Andrea Branzi https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1561331724488-L9NU3VXZLW1QGYOS5TGY/Domestic+animals.jpeg Work - Second Nature: The World of Andrea Branzi Domestic Animals bench, 1985. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1561331756376-Z1AJSVE7AP2IECL8PGUW/Branzi_Plank_Cabinet_60.jpg Work - Second Nature: The World of Andrea Branzi Plank Cabinet no. 6, 2015. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1561331628654-BUS34RLKUY9LJ7QRDA9L/Branzi+copyism.jpeg Work - Second Nature: The World of Andrea Branzi Gallery of Copyism, from the Bau. haus II collection, 1980. https://www.glennadamson.com/work/2019/2/6/isaacjulien monthly 0.5 2019-06-23 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1558134274007-VKSIYLSFIO8XV6T5W389/Julien.jpg Work - Lessons of the Hour https://www.glennadamson.com/work/2019/2/6/sheilahicks monthly 0.5 2019-05-13 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1557757201743-IAK1BVEDOH9DI24FXI1O/shmain.jpg Work - Sheila Hicks in the Expanded Field Menhir, 1998-2004. Courtesy: The Bass, Miami Beach; photograph: Zachary Balber. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1557757268621-RXVAJ9C6Y5TVK9OF5GJO/shmain2.jpg Work - Sheila Hicks in the Expanded Field Untitled, 1980, Moroccan Prayer Rug/Nejjai, 1972, The Silk Rainforest, 1975. Courtesy: The Bass, Miami Beach; photograph: Zachary Balber. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1557757303318-8J7Q8NXJFD6JK38V64QL/shhero.jpg Work - Sheila Hicks in the Expanded Field Escalade Beyond Chromatic Lands, 2016-17. Courtesy: The Bass, Miami Beach; photograph: Zachary Balber. https://www.glennadamson.com/work/2019/2/6/harper monthly 0.5 2019-05-13 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1555272511851-3XXS9PRW93MPJWTKAHLW/Harper+1.jpg Work - Desire Ex Machina "Faberge's Ashanti Beads,'' 1994. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1555272554541-9JQPGGLTE2FEM13TOBAF/Harper+2.jpg Work - Desire Ex Machina “Royal Barcelona Dubu.” https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1555272602429-HT8DL0L8TZLZ8OI10ICD/Harper+3.jpg Work - Desire Ex Machina “Flotsam I.” https://www.glennadamson.com/work/2019/2/6/heatherwick monthly 0.5 2019-03-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1553786683973-5GXPNV2VWQUBMG7LJ9PZ/IMG_4485.jpg Work - Empty Vessel Spatial Environment in Red Light, 1967. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1553786832202-TBGV3VRR9MKP6VU177U7/IMG_4455.jpg Work - Empty Vessel https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1553786745249-YZM371X9TFGU2SFOMN01/IMG_4467.jpg Work - Empty Vessel https://www.glennadamson.com/work/2019/2/6/luciofontana monthly 0.5 2019-05-17 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552674817135-RAIQHA0BC5RI5BN03AQW/Fontana.jpg Work - Lucio Fontana's Feats of Clay The End of God, 1962. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552679672359-9P0FLD411OU6YVVB52EN/14.-battle.-1947.jpg Work - Lucio Fontana's Feats of Clay Battle (Battaglia), 1947. Ceramic. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552679481166-QPFPN3V2F14UF38S72QI/05.-Spatial-Environment-in-Red-Light-1967-2019-copy-2.jpg Work - Lucio Fontana's Feats of Clay Spatial Environment in Red Light, 1967. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552674785898-RONSHSL8HRNPMBB2WXLO/LeadImage_FONTANA.jpg Work - Lucio Fontana's Feats of Clay Spatial Concept (Concetto Spaziale), 1964-65. Ceramic. https://www.glennadamson.com/work/ghosts monthly 0.5 2019-09-17 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552488559968-H3UI2HSTLI690FO8IBKN/IMG_5358.jpg Work - The Ghosts of Sunday Morning https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552488604847-P09CODUQ3Y3O9AHUO2F2/IMG_5364_2.jpg Work - The Ghosts of Sunday Morning https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1552488632113-57EUNNZFHRWPR3IDL3IL/IMG_5282.jpg Work - The Ghosts of Sunday Morning https://www.glennadamson.com/work/nendoescher monthly 0.5 2019-03-13 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550271850446-TKJV04B5GMQWLQ4RT8EU/Escher-Nendo-exhibition_dezeen_hero1-1704x959.jpg Work - To Dream the Impossible Dream https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550271714427-W3KV0ZGA9TLRDCNX5HVE/Escher-Nendo-exhibition_dezeen_2364_col_3.jpg Work - To Dream the Impossible Dream https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550271978460-Q75THBUXX3YEUKGAQWXI/Escher-Nendo-exhibition_dezeen_2364_col_11.jpg Work - To Dream the Impossible Dream https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550272048835-AKRD8YQ2PXVNOAGF7KD5/486271102.jpg Work - To Dream the Impossible Dream MC Escher, Puddle, 1952. Woodcut. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550271904515-UZBNDW7QEJLFTIX6XPXB/manga-chairs-nendo-installation-friedman-benda-milan-design-fair-high-res_dezeen_ban.jpg Work - To Dream the Impossible Dream One of the series Fifty Manga Chairs, by nendo. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1550271953150-99P4ICISLPMFAX8DMFCG/Escher-Nendo-exhibition_dezeen_2364_col_4.jpg Work - To Dream the Impossible Dream https://www.glennadamson.com/work/2019/2/6/marcnewson monthly 0.5 2019-03-15 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1549580826640-9FN4XZIMQHOG8CDPB44T/large.jpg Work - Marc Newson's Design for the 1% https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1549580792178-T9YLGT0NCADQ22P2O899/tomter_0614_newson_3441.jpg Work - Marc Newson's Design for the 1% https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1549580765376-UREX9WTSQK2TBQRQPKCG/hero-newson-2019-ny-522-install-7.jpg Work - Marc Newson's Design for the 1% https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1549580848897-1291QQ1XPEAM1YYHRK18/newson-2019-ny-522-install-14.jpg Work - Marc Newson's Design for the 1% https://www.glennadamson.com/work/2019/1/25/jeannesilverthorne monthly 0.5 2019-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548514830412-RW2SODDV6WW9DGYL4SX2/Jeanne-Silverthorne-Jan-2019-Installation-01a-1000x750.jpg Work - The Sound of On and Off https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548514610900-MY0JXN8O1DJA2OKK28MG/Jeanne-Silverthorne-Chandelier-10.jpg Work - The Sound of On and Off https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548514690021-004MP3WCLJ1R2H7U4TMV/Jeanne-Silverthorne-Jan-2019-Installation-Frankenstein-LR-1000x750.jpg Work - The Sound of On and Off https://www.glennadamson.com/work/2017/8/2/johnmason monthly 0.5 2019-01-22 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548172482902-9932I61HYHW1E94SH2UO/Mason_in_studio_work_in_progress_for_solo_exhibition_at_Pasadena_Museum_of_Art_Photo_by_Robert_Bu.jpg Work - Remembering John Mason https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548172746708-Z66VPRR0FNUJG2825JYJ/Mason_Portrait_JM2010_No16_Scale_3_69x87in_sm01.jpg Work - Remembering John Mason https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548172539343-XM6H19GAV4C7JQ81A9D1/Mason+Making+Blue+Wall.jpg Work - Remembering John Mason https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548172683963-MSHOO2VPWP5BAL8D1BBB/IMG_2985.jpg Work - Remembering John Mason https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1548172794616-JVNLB7GFW0OR07IJ9VLN/MASON_INSTALL_065.jpg Work - Remembering John Mason https://www.glennadamson.com/work/2017/8/2/annemarielaureys monthly 0.5 2019-01-26 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544373576396-2CTL4R1WB67X5H8OKSUU/Ohr+teapot.jpeg Work - Anne Marie Laureys George Ohr, teapot, c. 1897-1900. Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544373845313-Y3NCP2805908BO92R7RA/Clouds.jpg Work - Anne Marie Laureys Anne Marie Laureys, Clouds by My Fingers, 2015. Glazed stoneware. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544373639655-HBMF73PLIO0O0Z9G29QK/AnneMarieLaureysCeramicsBelgium-2015-IMG_2385+copy.jpg Work - Anne Marie Laureys Anne Marie Laureys, Random Growth, 2015. Stoneware. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544373434560-AA903H2LWTQ8B124DRS3/AML+hand.jpeg Work - Anne Marie Laureys https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544373703175-4VH39TO461SXTVV3Y02Y/AnneMarieLaureysCeramicsBelgium-2016-IMG_4722+copy.jpg Work - Anne Marie Laureys Anne Marie Laureys, Scaramouche, 2016. Stoneware. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544374055660-HDFY78DO98JQ9LIPEEWR/toy+violet+2.jpeg Work - Anne Marie Laureys Anne Marie Laureys, It’s a Toy Violet Brain, 2018. Glazed stoneware. https://www.glennadamson.com/work/2017/8/2/inthezone-c28l4 monthly 0.5 2018-12-08 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307511003-WPTNEDH8JFFQE1UWYQRF/20_007-378ec35b-4013-43cd-a8d8-ddf13441f1ca_s600x0_q80_noupscale.jpg Work - In the Zone: Wendell Castle's Environment for Contemplation https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307090112-2QAYHM6XWLHMNW5CIIAH/20_003-0af99a0a-60b2-4309-b226-135260afea0a_s600x0_q80_noupscale.jpg Work - In the Zone: Wendell Castle's Environment for Contemplation Castle making the EfC. Note the continuous ‘handle’ form at the top, which was eventually refashioned into two domes. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307547914-4OHC5RLWF1QT9RFGSG87/20_005-5ea0c6c2-d66d-482a-83ec-200e9ea11979_s600x0_q80_noupscale.jpg Work - In the Zone: Wendell Castle's Environment for Contemplation Neke Carson, Moon Man Fountain, 1969, in the 1970 exhibition "Contemplation Environments" at the Museum of Contemporary Crafts, New York. Artwork © Neke Carson. Photograph by Philippe Halsman. Image courtesy of Halsman Archive. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307409718-0EN7X8Y60EUZMOT622RY/Spaces.jpeg Work - In the Zone: Wendell Castle's Environment for Contemplation Spaces at the Museum of Modern Art, 1970. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307038801-UE8MB5S3Q8JHTW1V60W2/20_001-d56a4772-790b-4ab4-ad83-ed80fef47d3d_s1400x0.jpg Work - In the Zone: Wendell Castle's Environment for Contemplation Wendell Castle, Environment for Contemplation, 1970. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1544307176149-3CITBR77G05WCAG6XMW4/20_002-9a9c0b0c-7529-4e3f-8645-7a665a5e1200_s600x0_q80_noupscale.jpg Work - In the Zone: Wendell Castle's Environment for Contemplation https://www.glennadamson.com/work/2018/11/18/materialintelligence monthly 0.5 2018-12-08 https://www.glennadamson.com/work/2018/11/18/allegory monthly 0.5 2018-12-08 https://www.glennadamson.com/work/2017/8/2/pollyapfelbaum monthly 0.5 2018-12-08 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1541363570918-9ZC0825COQ8EJRQOW1C4/Ikon_PA_004.jpg Work - Not in Kansas Anymore: Polly Apfelbaum “Waiting for the UFOs (a space set between a landscape and a bunch of flowers),” 2018. Ikon Gallery, Birmingham. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1541363777366-5O6FJ7C3SXV4K0FVYZ6O/77407c1b130d61016a22cac032fe1c2e.jpeg Work - Not in Kansas Anymore: Polly Apfelbaum Polly Apfelbaum, “The Potential of Women,” 2018. Alexander Gray Gallery, New York City. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1541363884520-3LF3OFLW9E2NCDOQZDUR/Polly-Apfelbaum-Wallflower-1988.-Mixed-media-wire-paper-tacks-pencil-glitter-courtesy-the-artist-and-Frith-Street-Gallery-London-Medium-600x481.jpg Work - Not in Kansas Anymore: Polly Apfelbaum Wallflowers (Mixed Emotions), 1990/2018. Mixed media, wire, paper, tacks, pencil, glitter. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1541363545645-YQA8A8XHFXZ5GWWE1VD9/Ikon_PA_002-600x400.jpg Work - Not in Kansas Anymore: Polly Apfelbaum “Waiting for the UFOs (a space set between a landscape and a bunch of flowers),” 2018. Ikon Gallery, Birmingham. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1541363676548-B35APVG4NEBC1UJ0CF5I/Andromeda-Small.jpg Work - Not in Kansas Anymore: Polly Apfelbaum Andromeda, glazed clay. https://www.glennadamson.com/work/2018/warpfactors monthly 0.5 2018-10-05 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538493072900-VKFYM4GSBFCS67G7CM5A/tumblr_p2jd2de4pn1qzfsnio2_500.gif Work - Warp Factors: Craft At High Speed An animation by Guldies. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538493291888-Q71L674S1YKN4PO2RFXR/Jenny-Nordberg_3to5seconds_04.jpg Work - Warp Factors: Craft At High Speed Jenny Nordberg, candlesticks made in 3 to 5 seconds. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538493216192-CFG9C9TUICZ8ZXP2TH4P/Jenny-Nordberg_3-to-5-Seconds.jpg Work - Warp Factors: Craft At High Speed Screen shot of Jenny Nordberg, 3 to 5 Seconds. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538492533797-6W25T04FKOVV71YH3I8V/Newtons-Bucket-%E2%80%93-Silo-Studio-TheMethodCase-5.jpg Work - Warp Factors: Craft At High Speed A screen shot from Silo Studio’s video Newton’s Bucket. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538493491944-4HJ7G7EMLQN7337LKEIG/maxresdefault.jpg Work - Warp Factors: Craft At High Speed Screen shot of Ayumi Horie’s video “White Pots.” https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1538493603375-KPNOWPQRJL9K0T0CQ2GP/2648ade87fd9931ea9e73b3fd3320ab9_original.jpg Work - Warp Factors: Craft At High Speed Splatware by Assemble. https://www.glennadamson.com/work/2018/shelflife monthly 0.5 2018-10-02 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1537905392597-XDEI5CA7ITFEMT0AWL2Q/Objets.jpeg Work - Shelf Life Personal objects from the shelves of Brooksby Village residents. Photo Adam Glanzman for the New York Times. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1537905375423-HTZHU7T2HHQYN8K6EKRV/merlin_142228104_404e7355-f29a-4357-aa2d-b6c949cb5f84-jumbo.jpg Work - Shelf Life The shelf outside Jackie Amadeo’s apartment at Brooksby Village. Photo Adam Glanzman for The New York Times. https://www.glennadamson.com/work/2017/8/2/jbblunk monthly 0.5 2018-09-25 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1536097834844-8H3MYDMPZ4O5AISO509S/JB+portrait.jpeg Work - Earth, Wind and Fire: Remembering JB Blunk https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1536097870529-EVOKFB43E8TJPQO7O0XL/10_foto-beatrice-pediconi.jpg Work - Earth, Wind and Fire: Remembering JB Blunk JB Blunk home, Inverness, CA. Photo: Beatrice Pediconi. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1536097803954-MFXWM3WA8JUEA239GWWC/JBB_7545_a-900x720.jpg Work - Earth, Wind and Fire: Remembering JB Blunk JB Blunk, undated plate. Courtesy Kate MacGarry, London, and The Estate of J.B. Blunk. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1536097909142-XV8S3TI9G5A4129E7TBA/planet.jpg Work - Earth, Wind and Fire: Remembering JB Blunk JB Blunk, The Planet, 1969. Redwood. Oakland Museum of California. https://www.glennadamson.com/work/2017/8/2/jesfan monthly 0.5 2018-10-13 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535980277796-UM23Y22IFKC3GRU96WN1/JesFan2.jpg Work - The Future Starts Here: Jes Fan Installation view, Empty Gallery, Hong Kong. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535980431767-GCI0BPON220RQY4V1GSU/Fornophilia-II_2_web_square_670.jpg Work - The Future Starts Here: Jes Fan Jes Fan, Fornophilia II, 2018. Detail. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535980137610-KVS23DAKVDGPQ94TM807/jesfan1.png Work - The Future Starts Here: Jes Fan Jes Fan, Visible Woman, 3d-printed resin, PPE pipes and pigments. Courtesy of Empty Gallery, Hong Kong. https://www.glennadamson.com/work/2017/8/2/busteroneweek monthly 0.5 2018-08-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535419262508-U9ZXUHQRBSHI2QH03ZUO/1+week+2.jpg Work - Buster Keaton's One Week Buster Keaton, One Week, 1920. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535418971200-NTODFRDNDH4JGG5TEGN9/1+week.jpg Work - Buster Keaton's One Week Buster Keaton, One Week, 1920. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1535419189626-6FVI0L4GCU98Y5GKY8F6/Keaton.+Scarecrow.+home+without+mother+sign.png Work - Buster Keaton's One Week Buster Keaton, The Scarecrow, 1920. https://www.glennadamson.com/work/2017/8/2/ceramicschatsworth monthly 0.5 2018-08-15 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534361724217-OPJXYQM6X3OTP11SH8B8/Pippin.jpeg Work - Great Estates: Contemporary Ceramics at Chatsworth Pippin Drysdale, Evensong (Devil’s Marbles), 2016. Courtesy: Chatsworth House Trust; photograph: Simon Broadhead https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534361864974-MMC21PHM1H1G3VJXJPN5/Liz.jpeg Work - Great Estates: Contemporary Ceramics at Chatsworth Felicity Aylief, Chinese Ladders, 2008. Courtesy: Chatsworth House Trust; photograph: Simon Broadhead https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534361806740-UZVO377HTRSUSG58X990/Gwyn.jpeg Work - Great Estates: Contemporary Ceramics at Chatsworth Gwyn Hanssen, Pigott Echo, 2018. Courtesy: Chatsworth House Trust; photograph: Glen Segal https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534362380292-UOGLV8GVTAG1GCF1E930/Natasha.jpg Work - Great Estates: Contemporary Ceramics at Chatsworth Natasha Daintry, Sowing Colour, 2018. Courtesy: Chatsworth House Trust https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534362323479-TZFHQ7SVZ5GJTQ6TMX1V/Jacob.jpg Work - Great Estates: Contemporary Ceramics at Chatsworth Jacob van der Beugel, North Sketch Sequence, 2014. https://www.glennadamson.com/work/2017/8/2/adamsilvermanoccupation monthly 0.5 2018-09-03 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534190234149-J8OYDY8HSEAKVO3EA2EE/as_298_a_sm3.jpg Work - Double Take: Adam Silverman https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1534190256562-1YWKCEM7MHEYDYROQU6J/Adam10.jpg Work - Double Take: Adam Silverman Chris Schanck, Bloom, 2018. Steel, aluminum, polystyrene, nylon fiber, resin https://www.glennadamson.com/work/2017/8/2/ursulavonrydingsvard monthly 0.5 2018-07-29 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1532896024662-C0XV73JE64PK8WLDBTQG/ursula-von-rydingsvard-galerie-lelong-torn-designboom-07.jpg Work - Ursula Von Rydingsvard: At the Height of Her Powers Roaming Rudia, 2017. Cedar. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1532895864663-MLQTB2OKFG7IWKVOQKEM/Image.aspx.jpg Work - Ursula Von Rydingsvard: At the Height of Her Powers Von Rydingvard's exhibition "The Contour of Feeling," at the Fabric Workshop and Museum, Philadelphia. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1532896117153-Y2ZVA17KSVEAWQVPRCS0/ursula-von-rydingsvard-galerie-lelong-torn-designboom-04.jpg Work - Ursula Von Rydingsvard: At the Height of Her Powers Nester, 2016. Cedar. https://www.glennadamson.com/work/2017/8/2/ccacommencementaddress monthly 0.5 2018-05-12 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1526143964554-2FAFTFJ3XFS2DXQSH0JR/CCA_Viewbook_2017_0348.JPG Work - CCA Commencement Address https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1526144277614-QRE81C69S1AMKFY9L3FB/CCA_Viewbook_2016_0075.JPG Work - CCA Commencement Address https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1526144153170-YYNLZC1HHQKUKN4UWC0A/CCA_Viewbook_2017_0302.JPG Work - CCA Commencement Address https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1526144104255-JNMABUWZ5F9MZXC5T4SG/CCA_Viewbook_2016_0189.JPG Work - CCA Commencement Address https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1526143840883-V8MS8JG4EKJL585WHOR9/SPR+Charter+portrait.jpeg Work - CCA Commencement Address S. P. R. Charter https://www.glennadamson.com/work/2017/8/2/fallenidylls monthly 0.5 2018-05-12 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1525113668722-SC1TRE6TF79YQZN5AIJZ/Ruined-column-vase-1780-Photo-%C2%A9Wedgwood-Museum-WWRD-681x1024.jpg Work - Fallen Idylls Ruined column vase by Josiah Wedgwood, c. 1780. Photograph © Wedgwood Museum / WWRD. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1525113766836-LS4DVUMWSIF828JJR60I/Cole_Thomas_The_Course_of_Empire_Desolation_1836.jpg Work - Fallen Idylls Thomas Cole, The Course of Empire: Desolation, 1836. Oil on canvas. New-York Historical Society. https://www.glennadamson.com/work/2017/8/2/chrisschanck monthly 0.5 2018-08-13 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523383987295-03KLRK2M63W6KCGGXZEW/Schanck_Unhomely_030.jpg Work - It Comes With The Territory: Chris Schanck in Context https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523384525210-LX7RLYZ9T86BRQNRAFLD/image-asset.jpeg Work - It Comes With The Territory: Chris Schanck in Context Chris Schanck, Banglatown, 2018. Steel, aluminum, wood, polystyrene, burlap, hide, resin. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523384044632-OJHF67VU47BR1WMNKFNC/Schanck_Bloom_01_sm0.jpg Work - It Comes With The Territory: Chris Schanck in Context Chris Schanck, Bloom, 2018. Steel, aluminum, polystyrene, nylon fiber, resin https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523384331617-L3T391OZ79VGZL4Y18NM/Schanck-274_preview.jpg Work - It Comes With The Territory: Chris Schanck in Context Making Scrying Table, 2017. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523384179423-C5Q3GEKG3Q8UKSSS32ZT/Schanck_Decobot_01_sm0.jpg Work - It Comes With The Territory: Chris Schanck in Context Chris Schanck, Decobot, 2018. Wood, polystyrene, resin, nylon fiber. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1523384438218-XYIKCEBWLVGCR76XSRWL/Schanck_Gold_900_01_sm_crop0.jpg Work - It Comes With The Territory: Chris Schanck in Context Chris Schanck, Gold 900, 2018. Wood, burlap, polystyrene, resin, aluminum https://www.glennadamson.com/work/2017/8/2/thomasbarger monthly 0.5 2018-04-10 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1522198541835-UHSQ7ZY46GXVZ4VG23SF/thomas-barger-growing-up-install-13-720x487.jpg Work - Pulp Nonfiction: Thomas Barger https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1522198659674-OGW55WKIZSWFFR1M2SMS/thomas-barger-growing-up-24-720x480.jpg Work - Pulp Nonfiction: Thomas Barger Thomas Barger, “Love Me, Protect Me Chair” (2018), paper pulp, plywood, two wooden chairs, polyurethane, and paint https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1522198519121-J62N0EMFNA6SW80P5BS0/thomas-barger-growing-up-install-10-1080x708.jpg Work - Pulp Nonfiction: Thomas Barger https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1522198604272-RKA5PNYU6R16M59C240J/thomas-barger-growing-up-30-720x480.jpg Work - Pulp Nonfiction: Thomas Barger Thomas Barger, “Dad’s Truck Blanket Chair” (2018), paper pulp, wooden and metal frame, cardboard, polyurethane, blanket, and paint https://www.glennadamson.com/work/2017/8/2/naomatsunaga monthly 0.5 2018-03-10 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1520682147772-S2LUL4CUQSXTFT8NTP0Q/Nao+1.jpeg Work - Nao Matsunaga: Major Progression https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1520682419143-3MLG8KCAUXMTGIJRTYAW/Nao+3.jpg Work - Nao Matsunaga: Major Progression https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1520682043479-E3SJ64BND29LVBOCO8DY/Nao+2.jpeg Work - Nao Matsunaga: Major Progression https://www.glennadamson.com/work/2017/8/2/adejoketugbiyele monthly 0.5 2018-03-10 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1520627217832-BVTER1BP9V69POB5CQXP/My-Queens-Throne_2.jpg Work - Adejoke Tugbiyele: A Plea From the Heart Adejoke Tugbiyele, My Queen's Throne, 2018. Photo: Courtesy The Artist. https://www.glennadamson.com/work/2017/8/2/patriciaurquiola monthly 0.5 2018-02-12 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1518468719876-IFVTO6NY5381WEHTKYFB/2017_11_16_JH_005-720x480.jpg Work - Smooth Operator: Patricia Urquiola https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1518469546889-V9AMMLQNEDSJJLLCPT6K/259--06-OUTDOOR-CRINOLINE-06.jpg Work - Smooth Operator: Patricia Urquiola Crinoline Chair (2008 for B&B Italia). https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1518469086396-SS8D3WY0JD811VZW3CA3/shimmer-1206.jpg Work - Smooth Operator: Patricia Urquiola Shimmer Table (Glas Italia, 2014) https://www.glennadamson.com/work/2017/8/2/complexitycomplex monthly 0.5 2018-08-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517601427037-SZKA5P2K0ZB6CIMYVLN5/Wallpaper+Master+Drawing+crop_low+res+16-9.jpg Work - The Complexity Complex Master drawing of the Rafah: Black Friday investigation based on a Pléiades satellite image of eastern Rafah, taken on 1 August, 2014, 11:39am. Forensic Architecture, 2015. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517601313160-LMKHXE2K8RRK7CY0FKMP/frieze_frame3.jpg Work - The Complexity Complex High-resolution 3D model constructed from a stack of electron-microscopic images of a mouse brain. Courtesy: Daniel Berger, Lichtman Lab, Harvard University, USA https://www.glennadamson.com/work/2017/8/2/rememberingwendellcastle monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511814152-DA3LMGPXUNGN6J10362H/Castle_Reaching_for_the_Moon_016.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511697677-FBDLGOTXS74NK5BR1RZ5/Castle_Benny_010.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511721938-OISOX2GXHRSSDC1CJFDI/Ghost_Clock0.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511672839-JP3WFN4PIEU9ZSZ8I7WY/5_Castle_Desk003_sm0.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511633268-4JO3UGYKJG85E17QRIM0/Castle_Walnut_Sculpture_01_sm0.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511794944-WFW2OXDN5IR4NEKZSODZ/15850.jpg Work - Remembering Wendell Castle https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1517511580229-8T4CWCEK7HCOXWSZFG7N/wendell-castle.jpg Work - Remembering Wendell Castle https://www.glennadamson.com/work/2017/8/2/tracking-shot-8sltz-s77rg-dbg78-w8sxc-en6lb-nhsgp monthly 0.5 2018-02-02 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515957073637-MQCZE25DRP7NOSRNY7ME/piertable.jpg Work - Bearing the Weight Charles-Honoré Lannuier (1779–1819), pier table, 1815–1819. Rosewood veneer, gilded gesso, brass, white metal, marble, glass with mahogany, ash, white pine, yellow poplar. Metropolitan Museum of Art, Rogers Fund. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515957572082-JCX4E30HSTW193RSQLUI/Punchpot-from-Herculaneum-Factory-Liverpool-c-1800-VA-310_15-1889.jpg Work - Bearing the Weight Transfer decoration on an earthenware punchbowl, attributed to the Herculaneum Factory, Liverpool, c. 1800. Victoria and Albert Museum. https://www.glennadamson.com/work/2017/8/2/sonyaclark monthly 0.5 2018-03-09 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515956208820-19WAV6H9S2QE0D8B02QD/unravelling1.jpg Work - Sonya Clark's "Unraveling" Sonya Clark, Unraveling, 2015. Cotton Confederate Flag. Photo: Courtesy The Artist. Photo Taylor Dabney https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515956053761-LLOO68864IPHDCI8QY43/Unraveled+1.jpg Work - Sonya Clark's "Unraveling" Sonya Clark and a visitor unpicking the flag. Unraveling, Sonya Clark, 2015, Cotton Confederate Flag. Photo: Courtesy The Artist. Photo Taylor Dabney https://www.glennadamson.com/work/2017/8/2/bettywoodman monthly 0.5 2019-01-22 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515440525203-GRO7XSH2S34HESWV66E7/8-betty_300dpi.jpg Work - Betty Woodman, A Remembrance Betty Woodman. Courtesy: Salon 94, New York https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515440484079-ASXJC7OHZEYPLD36DSTJ/6-silk_pillow_pitcher.jpg Work - Betty Woodman, A Remembrance Betty Woodman, Silk Pillow Pitcher, 1985, Courtesy: Salon 94, New York https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515440593837-J8FQ2MEHJ9716CW3G4P0/2-the_vase_with_pink_flowers_and_the_yellow_vase.jpg Work - Betty Woodman, A Remembrance Betty Woodman, The Vase with Pink Flowers and The Yellow Vase, 2010. Courtesy: Salon 94, New York https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515440449996-NMRP8OPVAUJC6ASPD0R7/herobf27836c605bc0b0dd6766cb23c5238c.jpg Work - Betty Woodman, A Remembrance https://www.glennadamson.com/work/2017/8/2/albertpaley monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515366273131-DCB8DDLSGTHORMAMQ5IP/229_001_s600x0_q80_noupscale.jpg Work - To the Manner Reborn Harlequin, 2013. Formed, fabricated, and painted steel, weathering steels. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515366101753-YKGPTHUIXOU8M0NK1PLJ/946.jpg Work - To the Manner Reborn Pair of Fabricated andirons, edition of 20, 1996. Forged and fabricated steel with a blackened finish. https://www.glennadamson.com/work/2017/8/2/vanishingpoint monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1514611060584-DM0RKMVELNXL0C5K7Z0N/Nasreen+Mohamedi.JPG Work - Vanishing Point https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1514611398507-SMSIF28LKYD3Y0Q0A5Q6/10-untitled-ca-19751.jpg Work - Vanishing Point Untitled drawing by Nasreen Mohamedi, ca. 1975. https://www.glennadamson.com/work/2017/8/2/petervoulkos monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1514610545973-MSRSGQ15N8A45RGE02QK/229_003_s600x0_q80_noupscale.jpg Work - Tower of Power https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1514610201285-Q585CP2V12A16S4DPD1Y/229_001_s600x0_q80_noupscale.jpg Work - Tower of Power Peter Voulkos, Rondena, 1958. Stoneware, paddled and constructed wheel-thrown elements, brushed cobalt, iron, and white slips, epoxy. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1514610320493-ZHJ2TUHKMOYMHRW695DW/229_005_s600x0_q80_noupscale.jpg Work - Tower of Power Installation of the exhibition Ceramics, Sculpture and Paintings by Peter H. Voulkos at the Pasadena Art Museum. From left to right: Zapata, Burnt Smog (aka Funiculated Smog), Rondena. © Voulkos Family Trust, Courtesy of the Voulkos & Co. Catalogue Project. https://www.glennadamson.com/work/2017/8/2/anissamack monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515441477275-EEISS89MK677MC6ZLDVD/Wreath.jpg Work - Anissa Mack at the Aldrich Anisa Mack, “Wreath” (2017) (photo: Dave McKenzie, courtesy the artist) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515441509360-W2QYNKOQN963BDD8GQO1/HelloGirlfriend.jpg Work - Anissa Mack at the Aldrich Anisa Mack, “Hello Girlfriend” (2017) (photo: Dave McKenzie, courtesy the artist) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1515441395911-CGJCIHT8QFHQ6EFAI2LD/1400conn.jpg Work - Anissa Mack at the Aldrich Anissa Mack, “Connecticut” (2017); (photo: Dave McKenzie, courtesy the artist) https://www.glennadamson.com/work/2017/8/2/supernormal monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216732807-4JYTQ1QDPPZE56DZTBOM/28MOMAweb1-superJumbo.jpg Work - Curating the Super Normal Paola Antonelli (center), Michelle Millar Fisher (right), and their team. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216853646-42OC817J815VA4DLUQ6R/design_real_2009_2.jpg Work - Curating the Super Normal Design Real at the Serpentine Gallery, 2009. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216423581-HVT7PIY9H3ZDQ7YXVC48/MoMA-Debuts-Items-Is-Fashion-Modern-This-Fal-5.jpg Work - Curating the Super Normal https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216551128-BI7N2EYRJRAPBS2GF0ZX/items-is-fashion-modern-moma_dezeen_2364_col_9-852x1277.jpg Work - Curating the Super Normal https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216462479-PBJXAZDJYXJB5ERHV2U5/unnamed34.jpg Work - Curating the Super Normal https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513216961731-LOC6TI2B8W0CX8Q5JEZV/insideimg_neonnews3.jpg Work - Curating the Super Normal Neon signs collected by M+ in Hong Kong. https://www.glennadamson.com/work/2017/8/2/tracking-shot-8sltz-s77rg monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513205949608-AW68PRLOMBH52U02ETPG/lies-lies-lies.jpg Work - Banners Unfurled Stephanie Syjuco's banner "Lies Lies Lies." A Cheeto-orange Trump spouts garbage, tweets, money, and a pussy-grabbing hand. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513205996165-TWL9NQE041XJR11ZPSZI/480_900-D802E4FB-51E5-4FB8-A828-66B06B559A04.jpg Work - Banners Unfurled The Protest Banner Lending Library. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513206131321-CZQ6N0M69TLVIG91RCU4/1-mg-2300high-res_orig-1.jpg Work - Banners Unfurled https://www.glennadamson.com/work/2017/8/2/tiffany monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513195276982-9503NFELH0SSRHXTJ9YG/60559139_973826_ED.jpg Work - Tiffany's Everyday Objects The Tiffany tin can conjures Andy Warhol's Campbell's Soup. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513194969171-ESEXLHMDDKF3VLDMRVPF/everyday-objectssterling-silver-ball-of-yarn-60558779_973813_ED.jpg Work - Tiffany's Everyday Objects Tiffany & Co.'s ball of yarn costs $9,000. https://www.glennadamson.com/work/2017/8/2/crafts-book-club monthly 0.5 2017-08-03 https://www.glennadamson.com/work/2017/8/2/follow-the-money-understanding-art-production-today-wrcc-lecture-with-glenn-adamson-and-julia-bryan-wilson monthly 0.5 2017-08-03 https://www.glennadamson.com/work/2020/designindialogue monthly 0.5 2022-01-12 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1591707447770-ULR1IV5SLUCS4Z9IPZ81/stephen_thumbnail5.jpg Work - Design in Dialogue https://www.glennadamson.com/work/2017/8/2/things-of-beauty-growing monthly 0.5 2017-08-03 https://www.glennadamson.com/work/2017/8/2/making-it-in-nyc monthly 0.5 2017-08-03 https://www.glennadamson.com/work/2017/8/2/the-thomas-j-volpe-lecture-series monthly 0.5 2017-08-03 https://www.glennadamson.com/work/2017/8/2/vintage-print-josephine-pryde monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501716348282-MIGEZRDK5KXMU397X5QJ/image-asset.jpeg Work - Vintage Print – Josephine Pryde Josephine Pryde, Here Do You Want To, 2014 https://www.glennadamson.com/work/2017/8/2/tracking-shot monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501716139544-9LOPA6WMPEE249UA7CB9/image-asset.jpeg Work - Tracking Shot Carson Sink, Nevada, by Timothy O’ Sullivan https://www.glennadamson.com/work/2017/8/2/tokens-of-regard monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501715818504-WTBKHF40973LEBOJTNUA/TokensofRegard1.png Work - Tokens of Regard https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501715818560-2KBWA5AXJZOBSC4QAEBV/TokensofRegard2.png Work - Tokens of Regard https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501715822026-93TUP16FXRR4MBVLFDVP/TokensofRegard3.png Work - Tokens of Regard https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501715821037-U5SBCQPFVSA1EH68M5O8/TokensofRegard4.png Work - Tokens of Regard https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501715822895-6GY2DVQ2T91ZZT6GX2RA/TokensofRegard5.png Work - Tokens of Regard https://www.glennadamson.com/work/2017/8/2/the-ties-that-bind monthly 0.5 2018-02-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501714424331-EZ9DW3R0KVWOXHJ6VZTG/image-asset.jpeg Work - The Ties That Bind Isabelle Cornaro 'Homonymes’, 2010 Plaster; 3 from a series of 4 Courtesy the artist and Galerie Balice Hertling, Paris Photograph by Marcus J. Leith.tiff https://www.glennadamson.com/work/2017/8/2/summer-work-the-art-of-pae-white monthly 0.5 2017-08-02 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501705725597-V5Y4FKOQ1XXJ40OEB8WC/image-asset.jpeg Work - Summer Work: The Art of Pae White Fig 2 - Sea Beast, 2010 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501705568251-3A8CQYRBZW06R0A5XE55/image-asset.jpeg Work - Summer Work: The Art of Pae White Fig 1 - Stage curtain for the Oslo Opera House, 2011 https://www.glennadamson.com/work/2017/8/2/smoke-and-mirrors-pierre-chareau-at-the-jewish-museum monthly 0.5 2018-03-28 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501703594594-B07RRNNN9OTNFKVUU343/image-asset.jpeg Work - Smoke and Mirrors: Pierre Chareau at the Jewish Museum https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501703607543-GZQSTJBYRDRNA3TS4Q0I/image-asset.jpeg Work - Smoke and Mirrors: Pierre Chareau at the Jewish Museum https://www.glennadamson.com/work/2017/8/2/weaving-together-the-story-of-a-forgotten-pop-artist-and-her-rugs monthly 0.5 2018-02-21 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701469132-AWJPLX7YZY6CIQXOX0QE/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, circa 1964 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701895906-ELP7ZI2JT3A4EV76HMDM/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Licensed Public Hack” (circa 1960s), wool, 30 x 28 1/2 in. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701968205-WUM2D697IWUV1C5KK4DK/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Obscene” (1960s), wool, 26 x 71 in. (Collection of Jessie Stone) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701588007-S9BP29F4Z4HVXMQZFUIG/image-asset.jpeg Work - Dorothy Grebenak Odd Man In, installation at Allan Stone Gallery, 1964 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501702162741-WQPXTD51OK5IZODRWPU8/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Yellow, Red, Blue” (1964), wool, 36 x 32 in. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701347922-T79A31SO5X1QPYYWAXR2/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “NRA Tapestry (National Recovery Administration)” (1963), wool, 54 x 41 in. (all images courtesy Allan Stone Gallery and the artist’s estate) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701552606-2ZK5XEMN65ZYCSJ80SQK/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Eye Chart” (1964), wool, 32 ½ x 68 in. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701666443-83ZHS57NWELVO19YKWV0/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak making a rubbing of a manhole cover, circa 1964 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701810315-DFCP4SIND4GDH6IUM5QO/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Four Roses” (1964), wool, 26 x 90 in. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701934495-R6MJGJ92940MH5PTYFY0/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “440-1234” (1960s), wool, 41 x 41 in. (Private collection, Europe) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501701744334-R390WONVF76HC69N2N9T/image-asset.jpeg Work - Dorothy Grebenak Dorothy Grebenak, “Con Edison Co.” (1963), wool, 31 1/2 x 31 1/2 in. https://www.glennadamson.com/work/2017/8/2/objects-of-dispute monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501692258571-4VO868VW7FQXEDWQY6FT/image-asset.jpeg Work - Objects of Dispute https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501692211296-XB74VD6CV6Y3164B8RIT/image-asset.jpeg Work - Objects of Dispute Do Not Resist, directed by Craig Atkinson, 2016 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501692273026-J7GB6OC6NP4DA4VD3VN9/image-asset.jpeg Work - Objects of Dispute https://www.glennadamson.com/work/2017/8/1/in-through-the-out-door monthly 0.5 2017-08-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501623838073-O6PXGYDFN9J3F65ZL0P7/image-asset.jpeg Work - In Through the Out Door Judith Scott, Untitled, 1990. Musgrave Kinley Outsider Art Collection https://www.glennadamson.com/work/2017/8/1/fredrikson-stallard monthly 0.5 2017-08-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501623587689-BGM2H7MRRWZV07C4MPYX/image-asset.jpeg Work - Fredrikson Stallard Fredrikson Stallard, Species, 2015. Polyurethane, Glass fibre, Polyester. David Gill Gallery https://www.glennadamson.com/work/2017/8/1/chain-of-command-design-as-material-intervention monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501592112860-M1WA5J36797A0H96E6P2/image-asset.jpeg Work - Chain of Command Fig 3 - Brooks Stevens Office, felt-tip rendering for the Milwaukee-Matic, machine tool, n.d. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501592015919-0CQKFC6DEACK4LKSUN41/image-asset.jpeg Work - Chain of Command Fig 2 - Breuer's Cesca chair, as currently offered by Knoll https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501591965171-RRWQIH9CVOKZ5SV90S9Y/image-asset.jpeg Work - Chain of Command Fig 1 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501592192611-WYXHG9YRZYE03OXIOPYE/image-asset.jpeg Work - Chain of Command Fig 4 - Baxton Studio version of Marcel Breuer's Wassily chair; cited by Be Original Americas as unlicensed https://www.glennadamson.com/work/2017/7/31/attack-of-the-blob monthly 0.5 2017-07-31 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541245204-9GPBTO2U3TFC9AX428FG/LittletonImplosionExplosion1964.jpg Work - Attack of the Blob - Fig 1 Harvey Littleton, Implosion/Explosion, 1964. Blown glass. Toledo Museum of Art https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541245744-6Q1MRBMOAHPWPCQ4194X/LittletonLemonRed+Crown1989.jpg Work - Attack of the Blob - Fig 2 Harvey Littleton, Lemon/Red Crown, 1989. Blown glass. Milwaukee Art Museum https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541245085-DO3RGNS09F5LP21K4EYA/LipofskyCaliforniaLoop4_1970.jpg Work - Attack of the Blob - Fig 3 Marvin Lipofsky, California Loop #4, 1970. Blown glass, rayon flocking, floatation foam, paint & epoxy, Reform Gallery https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541244598-FVIDGXXFO5HTN5IECBVX/EischTelefon1997.jpg Work - Attack of the Blob - Fig 4 Erwin Eisch, Telefon, 1997. Blown glass with luster https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541244479-C1A59VMLOT9SKL0SJQSE/Beaker.jpg Work - Attack of the Blob - Fig 5 Beaker, 1425-1525, Blown glass. Germany. Victoria and Albert Museum, V&A C.281-1936 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541244539-4IN6NN1ARHXJCRTE0MV1/BraunCirclesAndSquares1_2012.jpg Work - Attack of the Blob - Fig 6 Pernille Braun, Circles & Squares 1, kiln fired glass, 2012 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541244842-KZI4YS3NO9MVO399JFPV/KlenellLCD2009.jpg Work - Attack of the Blob - Fig 7 Simon Klenell, LCD, 2009. Blown and cut glass https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501541244907-MMXR0I807M8LY0FZDO47/LipmanBride2011.jpg Work - Attack of the Blob - Fig 8 Beth Lipman, Bride, glue and found objects, 2011 https://www.glennadamson.com/work/2017/7/31/art-in-the-making monthly 0.5 2017-08-03 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501524327841-0MBZAH3KJEFJ3ZQQBB92/image-asset.jpeg Work - Art in the Making https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501524308119-YG4IXNOXFOS7ZOBJ0WDH/image-asset.jpeg Work - Art in the Making https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501524296059-VPUC0P0GYUXKZ1W9G0IP/image-asset.jpeg Work - Art in the Making https://www.glennadamson.com/work/2017/7/31/jane-dillon-ahead-of-the-curve monthly 0.5 2017-08-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501522186607-ES823XMSPQ3EXSO2TPB0/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501522422900-HH62T0H3YIMX2R2OLLGQ/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501522305032-SQ4ZO1MLEDTTJI0JV9PJ/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501522115663-Y67SQSQYZS84DU6R0FYE/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501521804276-DOY8YCLWKGPQ6E4A61JL/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501521770827-L48SUPIHFL9W22AQFOG3/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501522068856-QZBSJGHG4A9AI6KMLWW1/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501521711018-VBT5XFQZ331M6IABXN2X/image-asset.jpeg Work - Jane Dillon: Ahead of the Curve https://www.glennadamson.com/work/2017/7/31/absent-minded monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501594851147-YGORNXI90NRBX0YUMGL7/image-asset.jpeg Work - Absent Minded https://www.glennadamson.com/work/2017/7/31/voulkos-the-breakthrough-years monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501519818453-QJNYHZ0H96FDPC9FRKVH/image-asset.jpeg Work - Voulkos: The Breakthrough Years https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501875944832-WGLWMV7GQ28TVH9AEJIY/image-asset.jpeg Work - Voulkos: The Breakthrough Years Peter Voulkos in his Los Angeles studio https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501519864782-PYUJGY860RKVLJOX009O/image-asset.jpeg Work - Voulkos: The Breakthrough Years https://www.glennadamson.com/work/2017/7/31/things-of-beauty-growing monthly 0.5 2017-08-01 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501518507368-46HGL2P09COGU0WMJR9L/image-asset.jpeg Work - Things of Beauty Growing https://www.glennadamson.com/work/2017/7/31/static monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501875752256-FZXHFJDZHILYWKMGBQLF/image-asset.jpeg Work - Static Occhiomagico Spaziale 1979 Collage.jpg https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501518019210-GKW0YZIF099IM9DR5QBM/%28no+caption+1%29.jpg Work - Static https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501518015498-BWVMJLOS4G214HHHIISX/%28no+caption+2%29.jpg Work - Static https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501518015735-UBLPC1ODJPGO3TCKQ1UA/%28no+caption+3%29.jpg Work - Static https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1501875714894-IZS2LB0698C26NRJ2RJ9/image-asset.jpeg Work - Static Howard Meister, Suspicious Origin, 1982. Hand painted alkyd on birch plywood.jpg https://www.glennadamson.com/work/2017/7/20/postmodernism-style-and-subversion-1970-to-1990 monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607873838-JXZ2WC1OKNU9CSRSJC81/image-asset.jpeg Work - Postmodernism https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607836025-6QGIWY36IZC9IG45P0MG/image-asset.jpeg Work - Postmodernism https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607852316-9W05Z7MIRYBP4QKFULTE/image-asset.jpeg Work - Postmodernism https://www.glennadamson.com/work/2017/7/20/industrial-strength-design monthly 0.5 2017-08-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607343168-OPR8A2TK1BZLTP6NUKKA/image-asset.jpeg Work - Industrial Strength Design https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607330277-ZXHYSTZSKJR69T6JLAZ4/image-asset.jpeg Work - Industrial Strength Design https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1500607296996-ZWPCXH5JAEK4X5ISFKAM/image-asset.jpeg Work - 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The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861829991-MVRFMUWPP56V9Y9DGK7X/02A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861830541-MGODHXIDVZAVXVKY0T0E/03A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861830576-1WQ1951LLKW1LN3SN3JA/04A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861830892-1FTEX2Y8KVBW3DOMPBOD/05A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861831032-OC3UPRNAWC1PON682Q1F/06A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861831300-FJSQVPQ76UJKME63KEAL/07A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861831488-YOT45A9YRZTH5OI6PP29/08A.jpg Work - 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The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861835838-9PKO8YYFB97MS0YBWI8J/18A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861835868-475NX3OZY588FHGS6LN8/19A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836009-KZLO1MWRA7E4JISF2OOA/20A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836054-Z3BIU8TYQJSDSUAAW3AC/21A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836219-ZRJLY5EMFM97H0AJRIDS/22A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836606-UOTKVD854UOYLHYZ1JC3/23A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836687-7WF8J601AZQCVG1AY2V1/24A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861836837-66EJBCM7UUDZWGFRACRT/25A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861837093-EI6E6W0RHQYCYQT8OHMH/26A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861837144-6F7ONU3E5EV3QTE8MIPU/27A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861837483-62QOGRKJPD1FJU8DTW5Z/28A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861837879-SRAVXISME61HTBA2IBZA/29A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861837995-G706WJ70JO77YXAVT94D/30A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861838235-YMHJ4D2WHIBH8GAQ55WR/31A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861838258-JHDRCDBCP1QFK8ZSS8FN/32A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861838780-FZ434A0Z2XCH4CXSQFAZ/33A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861838757-YRFHX8NK2A5T8T7MFLTW/34A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861839333-2HT41A56AZYBW3TL1NPP/35A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861839549-J7ZQAGI68OFEOVGIW6ZZ/36A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861839648-T2L957JU5MS6XPDJPFIJ/37A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861839934-NCIIAZX8ATEEQLQGH4AM/38A.jpg Work - The Politics of the Caned Chair https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499861840016-SJR5VVJRE18DLYIH65FU/39A.jpg Work - The Politics of the Caned Chair https://www.glennadamson.com/work/2017/7/12/the-american-arcanum-porcelain-and-the-alchemical-tradition monthly 0.5 2017-12-14 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859578135-H9VXHP63YNV0LULK0G76/01GAb.jpg Work - The American Arcanum - Figure 1 Pickle stand, American China Manufactory, Philadelphia, Pennsylvania, 1770–1772. Soft-paste porcelain. H. 5 1/2". (Courtesy, Kaufman Americana Collection; photo, Gavin Ashworth.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859578013-LNV0JX5VE8QKDOR21GL9/02GAb.jpg Work - The American Arcanum - Figure 2 Detail of the pickle stand illustrated in fig. 1. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859577846-T2DWBE10ILIM4P7J2825/03GAb.jpg Work - The American Arcanum - Figure 3 Bottle, Medici porcelain factory, Florence, Italy, ca. 1575–1587. Soft-paste porcelain. H. 6 13/16". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859577722-HLUAT65ACQ4A6PZAQEOE/04GAb.jpg Work - The American Arcanum - Figure 4 Teapot, Meissen porcelain factory, Germany, ca. 1715. Red stoneware. H. 3 3/4". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859577544-9IR6IDPPDCDRGP45JQUJ/05GAb.jpg Work - The American Arcanum - Figure 5 Jug and cover, attributed to the Meissen porcelain factory, Germany, 1725–1730. Porcelain. H. 5 9/16". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859577422-3W32Z4K0SP0459MM930L/06GAb.jpg Work - The American Arcanum - Figure 6 Christoph Weigel (1654–1725), The Alchemist, or Goldmaker, 1698. Engraving on paper, 3 3/8" x 3 1/8". (Courtesy, Wellcome Library, London.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859577054-DZ1GN33PXDH2O1N8A96U/07GAb.jpg Work - The American Arcanum - Figure 7 J. Zoffany, David Garrick as Abel Drugger in Ben Jonson’s “The Alchemist,” 1770. (Courtesy, Sotheby’s Picture Library.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859576688-1TPRH1AVSDJBRMLC6AVC/08GAb.jpg Work - The American Arcanum - Figure 8 Thomas Frye, Self-Portrait, 1760. Mezzotint. 18 5/8" x 12 9/16". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859576277-3AGX4D0C11QJNFF8Y0Q9/09GAb.jpg Work - The American Arcanum - Figure 9 Sauceboat, Derby Porcelain Factory, England, ca. 1753. Soft-paste porcelain. L. 7 1/4". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859576396-9R3BVLK7H6J9HDFKCTD5/10GAb.jpg Work - The American Arcanum - Figure 10 Dish, attributed to the workshop of Bernard Palissy, 1565–1585. Earthenware with colored glazes. L. 21". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859575485-UG74H3M2O170S5T4OO6R/11GAb.jpg Work - The American Arcanum - Figure 11 Tazza and cover, attributed to the workshop of Bernard Palissy, third quarter of the sixteenth century. Lead-glazed earthenware. H. 6 1/2". (© V&A Images/Victoria and Albert Museum, London, www.vam.ac.uk.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859574997-IZ2JNQM9WYI2ISEO830Z/12GAb.jpg Work - The American Arcanum - Figure 12 Crucibles, John Dwight pottery, Fulham, England, ca. 1680. High-fired stoneware. H. of tallest approx. 3 1/2". (Courtesy, Museum of London; photo, Hilary Young.) https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859574594-UQTTBPN4KJ89RMXYKFUI/nopermission.gif Work - The American Arcanum - Figure 13 Adriaen van Ostade (1610–1685), An Alchemist, 1661. Oil on oak. 13 3/8 x 17 13/16". (Courtesy, National Gallery, London.) The crucibles are in the center foreground. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859574361-Y36G1HLN86QYS126G4DI/nopermission+%281%29.gif Work - The American Arcanum - Figure 14 A personification of Alchemy, from A Collection of Treatises and Poems on Alchymy, Netherlands, seventeenth century. (Courtesy, British Library.) The crucibles are in the lower left foreground. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1499859574463-M60QGAZBWG7J98Z3THVX/15GAb.jpg Work - The American Arcanum - Figure 15 Sauceboat, American China Manufactory, Philadelphia, Pennsylvania, 1770–1772. Soft-paste porcelain. H. overall 4", L. 8". (Courtesy, Brooklyn Museum, Gift of Daniel Berry Austin; photo, Gavin Ashworth.) https://www.glennadamson.com/work/category/Writing monthly 0.5 https://www.glennadamson.com/work/category/Exhibitions monthly 0.5 https://www.glennadamson.com/work/category/Lectures monthly 0.5 https://www.glennadamson.com/home daily 1.0 2024-11-19 https://www.glennadamson.com/design-history daily 0.75 2017-08-05 https://www.glennadamson.com/modern-craft daily 0.75 2017-08-05 https://www.glennadamson.com/writing daily 0.75 2019-01-28 https://www.glennadamson.com/exhibitions daily 0.75 2017-08-05 https://www.glennadamson.com/bio daily 0.75 2024-12-19 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1574265888156-70KK5X73280HHBXZUQZ5/Glenn+and+Lenore+Tawney.jpg Bio Image credit: John Michael Kohler Arts Center. https://www.glennadamson.com/contact daily 0.75 2021-10-06 https://www.glennadamson.com/contemporary-art daily 0.75 2017-08-05 https://www.glennadamson.com/lectures daily 0.75 2020-06-09 https://www.glennadamson.com/all-work daily 0.75 2017-08-01 https://www.glennadamson.com/fewer-better-things daily 0.75 2019-09-24 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/1513194308802-0YEB8JJRA1E3LERFKYAX/9781632869647.jpg Fewer Better Things https://www.glennadamson.com/craft-an-american-history daily 0.75 2022-01-20 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/9ec65a28-278c-407d-bccc-a82cdfb986cb/Craft_1.jpeg Craft: An American History Jesse Telfair, Freedom quilt, 1983. American Folk Art Museum. Photo Gavin Ashworth. https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/125920b8-c2ed-402e-a75c-78a70e8acf39/Craft_2.jpeg Craft: An American History - Make it stand out John Singleton Copley, Paul Revere, 1768. Oil on canvas. MFA Boston. https://www.glennadamson.com/design-in-dialogue daily 0.75 2022-01-27 https://www.glennadamson.com/a-century-of-tomorrows daily 0.75 2025-05-04 https://images.squarespace-cdn.com/content/v1/595f83209f7456a96e0baf79/af991d73-9d3c-48e9-9c1f-3b671d431953/Adamson-A-Century-of-Tomorrows.jpg A Century of Tomorrows